DEGREE SHOW - 29 May 2014 6-9pm - Docklands

DEGREE SHOW

University of East London

Docklands Campus

University Way

London E16 2RD

http://www.uel.ac.uk/about/campuses/docklands/

nearest DLR station: Cyprus

AVA Building, ground floor

When you enter the building, turn left.

I will be showing a short film in the Immersive Lab.

12 Dec 2013 - Q Art Annual Exhibition No. 5 'The Big Crit'

Q-ART PRESENTS...

Q-Art Annual Exhibition No. 5 'The Big Crit'
@ APT Gallery, Deptford

 

Join us on Thursday 12th December 6.30-8.30pm for the opening of our 5th Annual Exhibition at APT Gallery, 6 Creekside, Deptford, London, SE8 4SA

The exhibition is then open:
Friday 13th - Sunday 15th December 12-5pm

Crits with those in the exhibition: Saturday & Sunday 2-5pm (please rsvp to karen.turner@q-art.org.uk copying in events@q-art.org.uk)

  This exhibition features work by those who presented in a Q-Art crit between September 2012 and June 2013: Ami Ghia, Anna Maria Kardos, Bernice Wilson, Cadi Froehlich,  Chris Alton, Daniel McClennan, Daria Śmiechowska, Debra Singh, Désirée Ickerodt, Elena Colman, Emily Woolley, Henk Gieskens, Isabelle Gressel, Jheni Arboine, Kate Murdoch,  Kathy Taylor, Krishen Kanadia, Margaret Duston, Melinda Lauw,  Paula Smolarska, Rae Hicks, Robin Gardiner, Xiao-yang Li, Zuqiang Peng.

 

The exhibition has been curated by Luis Ignacio Rodriguez. The curation and the weekend programme of crits celebrate and acknowledge the role of the crit in bringing the exhibiting artists together.   

 

This exhibition is supported by A.P.T Projects.

  

25 July 2013 - The Story of the Creative - PV in New York

For directions and more details please click on this link.

Please come to the opening reception 

(unfortunately I won't be able to be there):

Thursday, July 25th 2013

7-11pm

The show continues through September 10th.

Complimentary Cocktails

Provided by Absolut Vodka

See.Me is proud to present a selection of our members representing over 100 different nations.  This exquisite collection of work features a diverse range of mediums, styles, influences, and inspirations.  The work displayed will include sculpture, works on paper in one of the most exquisite venues in New York City. 

Angel Orensanz Foundation

172 Norfolk Street, New York NY, 10002

Directions: http://goo.gl/maps/jhfft

RSVP to: annielaurie@see.me

07/06/2013 - End of Year Show at UEL - 6-9pm

Entrainment (detail)

117 (w) x 44 (h) x 5.5 (d) cm

perspex, mixed media

2013

private view of End of Year Show (1st and 2nd Year, Fine Art)

University of East London

Docklands Campus

University Way

London E16 2RD

DLR station: Cyprus

7th June 2013 6-9pm

Private View 2nd June at POSK Gallery 5-9pm

 

 

 

Entanglement

2 x 17cc

perspex, wire, bioresin, glue

2013

 

Private View

Sunday 2nd June 2013 

5-9pm

The exhibition remains open till 14 June 2013

10am to 9pm every day

POSK Gallery

238-246 King Street

London

W6 0RF

Seven Heavenly Virtues - exhibition in May

 

Perennial Paradox

29 (h) x 43 (w) x 20 (d) cm

Perspex, fibre-optic cable

2013

Two In One

48 (h) x 40 (w) x 24 (d) cm

Perspex, plastic, light

2013

Triple Manifestation

28 x 28 x 28 cm

Perspex, wire

2012

Art exhibition at the Mausoleum at Nunhead cemetery in May 2013

Address: Linden Grove, London SE15 3LM

www.fonc.org.uk

Opening times: 11am - 5pm, 4-6 May, 11-12 May, 18-19 May, 25-27 May

Saturday 18 May 2013: Open Day

Revelation

Revelation
marble

2012

I have worked for a year or so on and off on this sculpture. When I found this slab of marble, it was so dirty that it was almost black. I felt my way into it in a tactile kind of way letting my hands lead the way, being guided by touch rather than vision. During all this time the slab looked rather ugly or listless. In comparison to the dreamlike Alabaster with its astral qualities, Marble feels rather unchanging, unemotional to me. I just had to carry on and trust that it would turn out alright without seeing any results in the meantime. The last phase of the work was to sand the flat surfaces using an angle grinder and varying degrees of sandpaper. It was only then that the stone revealed itself to me in its full beauty and intricate patterns. And it was only then that I realised that inutively I had chosen to work on the more interesting side of the slab. The bottom side still looked rather dull even after having been sanded. 

The same applies to every spiritual or other practice. You practice and practice and no results are shown. Only when you have made the final step, does the revelation occur.